In a delightful turn of events, four iconic Australian statues, once destined for oblivion, have found a new home at Deakin University's Burwood campus. The statues, depicting John Farnham, Kylie Minogue, Dame Edna Everage, and Graham Kennedy, were originally unveiled in 2006 and 2007 to commemorate the 'Entertainers of the Century'. However, they were unceremoniously evicted from their Docklands plinths in 2016 to make way for an 18-storey building, sparking a decade-long storage saga. The sculptor, Peter Corlett, expressed his relief and delight at the re-emergence of his much-discussed works, stating, 'I’m absolutely delighted. I was deeply pained by their removal from the original site and the fact that they’ve lingered so long in storage.'
This development raises a deeper question: What does it mean for public art to be preserved and displayed? While the move to Deakin University may not be as grand as the original Docklands location, it offers a new opportunity for the statues to be appreciated by a wider audience. The university's performing arts precinct provides a fitting setting for these entertainers, allowing them to continue bringing joy and inspiration to new generations.
In my opinion, this story highlights the importance of public art in shaping our cultural identity. Statues of beloved entertainers serve as reminders of our shared history and the power of the arts to unite and inspire. The fact that these statues have survived a decade of storage and are now finding a new home is a testament to their enduring appeal and the resilience of Australian culture.
Furthermore, this development raises interesting questions about the role of public art in urban planning. Should developers always have the final say in the fate of public art? Or should we strive for a balance that preserves our cultural heritage while accommodating urban development? The story of these statues serves as a reminder that public art is not just about aesthetics; it's about the stories we tell and the values we hold as a society.
In conclusion, the re-emergence of these statues at Deakin University is a welcome development that offers a new opportunity for public art to thrive. It serves as a reminder of the importance of preserving our cultural heritage and the power of the arts to bring people together. As we move forward, let's strive to create a future where public art is celebrated and protected, ensuring that it continues to enrich our lives and inspire future generations.
